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As I look myself, my hair lost the dark
My legs used to deceive my intent
But that night the windows opened with a whisper
And I fell beyond the doors of mine
...I heard them open and release me
I don't know where my feet lead me to
I hope I'll receive the existence's due
What I could hope for
Days or moments
I reached the sunny hills
The ground is brown and wet
And I love her
Touch the ground, it's wet
I reached the sunny hills
Now the hills are far
And I can see my breath become oil
Grey flow and new language
Stay with us and enjoy
Me and them, now and then
A house, I ask my self to go in
By the ones who came before, the reason will be revealed
As it opens, the stench of a tomb
For the spirit of old plains
Destroy the coal of men
Let the grey flow turn to savage love
In my time of dying
Fragments of the ones who came before
In the highest tops
Destroy the coal of men
Le the grey flow return to savage love
A truly stellar death/doom album with heavy doses of black metal. Tracks like Isolation, Child of Light, and Broken Hymns deliver the sorrowful and icy tone of this album, elevated by the stirring cello compositions of Raphael Weinroth-Browne. The album delivers a deeply satisfying crescendo in Becoming Intangible before stirring the soul once again with Epilogue. Matt Richardson
The first 30 seconds of "Revenge by Fire" convinced me to get the whole album! It is a face-melting blend of speed and black metal, reminiscent of Hellripper! KVAEN is a Swedish solo project much like Hellripper but many known guest musicians helped J. Björnfot in his endeavor. Altogether it is really a solid debut album, I loved the melodies and the pace changes in the second half too, ending with a "calm" instrumental one. Well-done!! sachavonkarl74
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs... Jordan Vauvert